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Foreground white cloth and distant seated figures

A large mass of white cloth fills the centre and right foreground, rising in soft folds around a concealed body's outline. Two spectators sit farther left before a white enclosure, with door frames and a green highlight blurred behind the close fabric and distant figures.
Foreground white cloth and distant seated figuresSource: Original public source

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A large mass of white cloth fills the centre and right foreground, rising in soft folds around a concealed body's outline. Two spectators sit farther left before a white enclosure, with door frames and a green highlight blurred behind the close fabric and distant figures.

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  • How Does a Hole Become a Theatre? · He FaEnglish

    Caption on that page: 09 Human Surrender, film frame, 02:29:20. Bodies beneath white cloth move upstage. These frames are one minute apart, not a complete record of continuous action. They do not locate the exact moment of the question quoted in the essay.

    Image text alternative

    Human Surrender, film frame, 02:29:20. Bodies beneath white cloth move upstage. These frames are one minute apart, not a complete record of continuous action. They do not locate the exact moment of the question quoted in the essay.

  • 一个孔如何成为剧场 · He Fa中文

    Caption on that page: 09 《人类投降派》,电影帧,02:29:20。白布下的身体向后场移动。两帧相隔一分钟,并非连续动作的完整记录;不据此定位文中追问的准确时刻。

    Image text alternative

    《人类投降派》,电影帧,02:29:20。白布下的身体向后场移动。两帧相隔一分钟,并非连续动作的完整记录;不据此定位文中追问的准确时刻。