How Works Happen
Sources and reading locations
These notes identify the basis, location and scope of each account. They are not full source documents; listing a private recording or manuscript does not make it available to play or download.
← Return to overviewS01 · P4 experimental theatre press text
Paragraphs 13–15: credits, scenes and post-performance quotations. A retained text with unverified original publication; passages shared with S02 are not independent corroboration.
S02 · Revised P4 experimental theatre press text
Paragraphs 13–15: the same credits and revised quotations. Editorial changes do not establish rehearsal order. Original publication remains unverified.
S03 · Shadow Counterpoint press text labelled 20160608
Paragraphs 2–6: opening and viewing difficulties; 11: replay; 27: retrospective account of collaboration. The filename does not independently establish publication date. The link is a work-page account, not the manuscript itself.
S04 · Fa He Work Sample List
Paragraphs 10–29 list four documentary pieces and dates; 39–43 list assessment documents. Current access to four historical YouTube IDs was not confirmed. Listed and source-file durations remain distinct.
S05 · Associated artist statement
Paragraphs 6–17 and 32–37 concern identity and judgement; 19–30 concern AI and choice. The work page offers related statement material, not the complete document or the assessors’ replies.
S06 · Fa’s review: observations from several cameras
Discrete samples from four source recordings show obstruction, equipment and a text wall. No continuous sound review or synchronised device clocks. The work page documents the records, without newly publishing source footage.
S07 · Fafalish Library photographs
Photographs 2–9 show a table, computer, letterforms and onlookers. Device date 24 October 2017; timezone and event identity are not independently established. Photographs 1 and 10 are not grouped into the indoor activity.
S08 · Lisa workshop photographs
Photograph 2 shows face-to-face standing; 4–6 show paper, materials and seated exchange. Device date 3 April 2021 supports the photographs’ timestamp, not a complete exercise or individual roles. Originals are not published here.
S09 · Outward Monologue: sampled recording
Denser still samples at source times 00:09:40.013–00:10:08.007 and a close view at 00:11:30.023. Directory label 4 August 2022. Not continuous viewing; no verified public playback mapping.
S10 · Feedback: rehearsal samples
Denser still samples at source times 00:10:06.005–00:10:34.000; another participant has a similar pose at 00:12:25.011. Directory label 11 September 2022. No sound review; source times cannot be used as access-copy start times.
S11 · Out of Everyday Life: sampled recording
Discrete stills between source times 00:10:50.016 and 00:14:20.026; pen meets paper at 00:12:50.003. Directory date 15 April 2023; the writing is unreadable. Public project texts are a comparison, not proof of this recording’s subject.
S12 · Personal Chronicle recruitment, 2023
Public article dated 23 March 2023. Read declaration clause 4 and participation-agreement clauses 1–8. The exact article has no clause anchors; find the heading 参与《个人志PHA》约定细则 within it.
S13 · Long Long Ago Group proposal
Paragraphs 12–18: rotating hosts and venues; 26: documentation; 30: proposed date. A proposal is not proof of implementation; the link leads to the existing work-page account.
S14 · Fafalish graphics and operation records
Existing graphics and discrete visual research concern letterforms, framing and machine reading. The link leads to observations on the work page, not newly published footage; final-version relationships remain unresolved.