2012↗
Shanshui
From a distance, a landscape. Up close, photographs made at different times and positions.
Selected works2010 / Photography, light box
Shunan Bamboo Sea
A narrow vertical image joins trees, mountains and mist.
- Artist
- He Fa
- Date
- December 2010
- Recorded dimensions
- 286 × 1016 mm
- Recorded medium
- Light box
Complete chapter contents
Images and presentation
The narrow vertical format of Shunan Bamboo Sea differs markedly from the square and horizontal works beside it in the portfolio. Trees, slopes, green vegetation and distant mountains are joined along its height, with white or pale grey gaps near the top and middle. The edges of individual photographs sometimes remain clear and sometimes overlap, making the image appear both continuous and accumulated.
The image invites attention along its length, moving between close details of foliage and ground and more distant mountain forms. No single central point contains all of it. The title page records a light box measuring 286 × 1016 mm, dated December 2010. Its vertical composition and proportions are preserved here, including both ends of the image.
Archive note
Based on pages 18–19 of the 38-page portfolio 何发-作品小汇. Title, date, dimensions and medium follow the original title page. Images were extracted independently from the PDF and retain their full compositions. The English title is a translation or transliteration for this website, not a verified historical English title.
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Work record
Shunan Bamboo Sea, 2010. Photography, light box. He Fa’s role: Artist: He Fa.
- Work / series
- Shunan Bamboo Sea
- Date
- 2010
- Medium
- Photography, light box
- He Fa’s role
- Artist: He Fa
- Catalogue section
- Early explorations
Cite this record: Shunan Bamboo Sea · 2010 · Artist: He Fa · https://hefa.p4theater.cn/en/work/shunan-zhuhai
TAKE A PATH ACROSS
Other paths from this work.
Spaces transformed
An eye travels; a body passes
Shunan Bamboo SeaBlack Corridor of Spatiotemporal Echoes / Spatial Proposal
Shunan Bamboo Sea draws the eye along a narrow vertical image; the Black Corridor proposal imagines bodily passage through a required route. Both extend viewing, while an existing image remains distinct from a spatial plan whose realization is unverified.
Continue from this work ↗Read the source materials
- Work imageImages and presentation ↗
Photographic fragments accumulate along the long axis of a narrow vertical image, directing attention between its upper and lower ends.
- Period documentSpatiotemporal echoes ↗
The original proposal describes the corridor as a required passage and proposes multisensory temporal and spatial experience; it remains a proposal with implementation unverified.
- Work imageImages and presentation ↗
Spaces transformed
Which movement produces the flow
Shunan Bamboo SeaGewu Studio / Products and Spatial Experiments
Shunan Bamboo Sea accumulates photographs vertically; the Clear Breeze Screen proposal uses fifty-five curved layers in relation to viewing position. One moves the eye; the other proposes changing relations among curves through bodily movement.
Continue from this work ↗Read the source materials
- Work imageImages and presentation ↗
Photographic fragments accumulate along the long axis of a narrow vertical image, directing attention between its upper and lower ends.
- Period documentQingfeng Fuping: a view that changes with the body ↗
Pages 3, 6, 11, 14–17 and 20 of the Qingfeng Screen proposal document the sea-view screen, 55 surfaces and changing viewing positions; renderings do not establish construction.
- Work imageImages and presentation ↗
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