One image contains many arrivals
Different moments of photographing share one plane, layering season, light and walking routes within the image.

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The origin of a structure of seeing
Hundreds of partial viewpoints are recomposed as landscape. The viewer moves closer and farther away, reading the work between detail and whole.
Completed in 2012, Mountain Beyond Mountains was He Fa’s graduation photography work. Photographing, dividing and recomposing organize many partial images into a landscape; it forms a whole at a distance and separates into time, viewpoint and fragment up close.
Mountain Beyond Mountains — Red and White entered the CAFA Art Museum collection. The work also established a line He Fa would return to: looking organizes space, bodies and relations.
PROJECT NOTES
The work recomposes many partial photographs. At a distance it produces the illusion of a coherent landscape; up close, continuity dissolves into different times, focuses, seasons and bodily positions. The viewer must keep moving between whole and fragment.
Different moments of photographing share one plane, layering season, light and walking routes within the image.
The image has no unified vanishing point. Each fragment retains its distance and angle, keeping the whole slightly displaced.
Large scale requires bodily movement. Only distance reveals landscape; only proximity reveals how it was made.
WORKING PROCESS
Accumulate fragments across positions and times.
Refuse one photograph as the whole landscape.
Connect similar textures while retaining seams of difference.
Use scale to organize approach and retreat.
PROJECT DETAILS
A line through the work
If a landscape is made from countless incomplete views, do we see the mountain—or the way we look?