何发 HE FA

Relational Image Theory

The camera records this answer. It is already part of the request.

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P4’s public archive, 2016. Bodies gather in the performance area; shadows fall on the wall.
P4’s public archive, 2016. Bodies gather in the performance area; shadows fall on the wall.

Beginning with a Photograph

Nine chapters and eighteen images. Read in sequence, or begin with a film passage and return to the book.

  1. Before We Begin

    When I film someone, I am often making a request of them too.

  2. Chapter 1 · Starting with a Photograph

    A photograph retains a person and brings the person looking at them into the encounter.

  3. Chapter 2 · The Person Who Says “I Love You”

    When a sentence enters a performance, is the person speaking still there?

  4. Chapter 3 · Once More

    Repetition changes our attention; it can also become a demand.

  5. Chapter 4 · The Body Sets Conditions

    Heat, cold, distance and touch are already conditions of being together.

  6. Chapter 5 · Who Can Tell the Director to Leave the Stage?

    How a title makes people act, and how they can question it in return.

  7. Chapter 6 · The Camera Separates Us

    Framing, sound and editing rearrange who can see what.

  8. Chapter 7 · Behind the White Cloth

    A disappearance agreed in advance meets an unexpected answer.

  9. Chapter 8 · How Long Does an Ending Take?

    After the performance ends, backstage sounds continue.

  10. Chapter 9 · A Work Cannot Live Someone’s Life for Them

    Completing a work cannot complete the lives of the people within it.

Between Words and Images

13 film passages: video, bilingual dialogue and returns to the book
Works, original texts and sources

Images retain their original proportions. Open an image to view it in full; linked work and article titles lead to their records.

Word edition (Chinese) · Full text (Chinese Markdown) · Full text (English Markdown)