Iceberg

03 / 07

Iceberg

Decentralized theatre under spatial compression

2021
Year
2021
Medium
Live theatre, spatial installation and participatory structure
Role
Producer

Inside a 16-square-metre office, eight makers and fifteen spectators entered a cellular structure of viewing. The smaller the room, the more legible the pressure between people became.

03

Project statement

Iceberg unfolds inside a small office. Crowding, obstruction, silence and the difficulty of entering or leaving become part of the performance, keeping makers and spectators within close range.

Bodies, characters and acts of looking were compressed into an almost black-box state. Visible action formed only the surface; underneath lay relations that were concealed, frozen, suppressed and repeatedly exposed.

PROJECT NOTES

The smaller the room, the harder it is for looking to remain neutral.

Iceberg places eight makers and fifteen spectators inside a sixteen-square-metre office. Everyone can feel the breath, gaze and obstruction of others, while entering or leaving immediately interrupts the event.

01 / Scale

The body becomes the unit of measure

Capacity is measured not by seats but by tolerable bodily distance, difficulty of turning and collisions of sightline.

02 / Spectatorship

No complete viewpoint exists

The cellular structure forces spectators to accept obstruction and partial information. Every Iceberg is different, and every version incomplete.

03 / Decentralization

The center moves with action

Sound, minor movement and nearby spectators’ reactions keep shifting attention, so each person experiences the work from a different position.

WORKING PROCESS

01

Compress

Bring people close enough that they cannot ignore one another.

02

Obstruct

Replace panoramic control with incomplete sight.

03

Displace

Move attention among person, sound and spectator.

04

Leave traces

Live images retain obstruction, deviation and the limits of each viewing position.

PROJECT DETAILS

16㎡Office area
8Makers
15Spectators
2021Project year

A line through the work

When spectators cannot retreat to a safe distance, can looking remain only looking?
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How private emotion becomes a public situation