The body becomes the unit of measure
Capacity is measured not by seats but by tolerable bodily distance, difficulty of turning and collisions of sightline.

03 / 07
Decentralized theatre under spatial compression
Inside a 16-square-metre office, eight makers and fifteen spectators entered a cellular structure of viewing. The smaller the room, the more legible the pressure between people became.
Iceberg unfolds inside a small office. Crowding, obstruction, silence and the difficulty of entering or leaving become part of the performance, keeping makers and spectators within close range.
Bodies, characters and acts of looking were compressed into an almost black-box state. Visible action formed only the surface; underneath lay relations that were concealed, frozen, suppressed and repeatedly exposed.
PROJECT NOTES
Iceberg places eight makers and fifteen spectators inside a sixteen-square-metre office. Everyone can feel the breath, gaze and obstruction of others, while entering or leaving immediately interrupts the event.
Capacity is measured not by seats but by tolerable bodily distance, difficulty of turning and collisions of sightline.
The cellular structure forces spectators to accept obstruction and partial information. Every Iceberg is different, and every version incomplete.
Sound, minor movement and nearby spectators’ reactions keep shifting attention, so each person experiences the work from a different position.
WORKING PROCESS
Bring people close enough that they cannot ignore one another.
Replace panoramic control with incomplete sight.
Move attention among person, sound and spectator.
Live images retain obstruction, deviation and the limits of each viewing position.
PROJECT DETAILS
A line through the work
When spectators cannot retreat to a safe distance, can looking remain only looking?